Archive for the 'Odds and Ends' Category
• February 1, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, India and Kashmir, Iraq, Odds and Ends, Paintings and Photography, Pakistan, Peace in the Middle East, Political Development, Portraits, The Impotent Gods, The Lovers, War Works
Tags: Aged Friends, Our Friends and Lovers, Pen and Ink Drawings, Picturing and Portraitures
• January 21, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, China Ascendant?, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, Health Care, India and Kashmir, Odds and Ends, Paintings and Photography, Pakistan, Political Development, Portraits, The Impotent Gods, The Lovers, War Works
Tags: Carcass of Beef, mixed media, Pen and Ink Drawings, Pictures of the Cruxifiction, Rembrandt's Carcass of Beef
• January 18, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, Political Development, Portraits
Tags: Pen and Ink Drawings, Teresopolis Flooding
• January 6, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, Health Care, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, Portraits, Refugees, The Impotent Gods, The Lovers, War Works
Tags: mixed media, Pen and Photography, Picturing and Portraiture
• January 5, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, The Impotent Gods, War Works
Tags: Criticizing the Representation of Violence, Goya's Disasters of War, mixed media, Not Either, Pen and Ink Drawings, Regarding the Pain of Others, Susan Sontag, Tampoco Plate
• January 5, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, Portraits, The Impotent Gods, The Lovers, War Works
Tags: mixed media, Pen and Ink Drawings, Picturing the Consequences of American Post-war Hegemony, Political Art
• January 5, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, Portraits of Dictators, The Impotent Gods, War Works
Tags: Pen and Ink Drawing, The Impact of American Politics on the Post-WWII World
• January 4, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Odds and Ends, Paintings and Photography, Pakistan, Portraits, The Impotent Gods, The Lovers, War Works
Tags: mixed media, Pen and Ink Drawings, Picturing and Portraiture
• January 4, 2011 •
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Posted in Aesthetics, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Myth, Odds and Ends, Paintings and Photography, Portraits, The Impotent Gods
Tags: Asia's Nomads, mixed media, Nomads in Indonesia, Pen and Ink Drawings, Picturing Refugees and Nomads
• January 3, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, The Impotent Gods, The Lovers, War Works
Tags: mixed media, Pen and Ink Drawings, Political Art, Wars in Iraq and Afghanistan
• December 26, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Democracy, Detritus, Drawings, Experiments in Color, India and Kashmir, Iraq, Odds and Ends, Paintings and Photography, Pakistan, Portraits, War Works
Tags: mixed media, Narrative and Narration, Pen and Ink Drawings, Picturing and Portraiture, Picturing the Wounded in WWI, Political Art
• December 24, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, Portraits, The Impotent Gods, War Works
Tags: mixed media, Pen and Ink Drawings, Picturing the Great Wars, Political Art
• December 12, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Odds and Ends, Paintings and Photography, Pakistan, The Impotent Gods
Tags: Graphite Drawings, Myth, Narration and Narrative, Picturing Genocide
• December 8, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, Health Care, India and Kashmir, Iraq, Meet the Press, Odds and Ends, Paintings and Photography, Pakistan
Tags: Everything I have Ever Thought
• December 8, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, Health Care, India and Kashmir, Iraq, Meet the Press, Odds and Ends, Paintings and Photography, Pakistan, Portraits, The Impotent Gods, The Lovers
Tags: Everything I have Ever Thought, Light Art, mixed media, Pen and Ink Drawing
• December 8, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, Health Care, India and Kashmir, Iraq, Meet the Press, Odds and Ends, Paintings and Photography, Pakistan, Portraits, The Impotent Gods, The Lovers
Tags: Everything I have Ever Thought, Light Art, Light Drawings, Narrative and Narration, Pen and ink, Pen and Ink Drawings, Pictures that We Can't see, Political Art
• November 11, 2010 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, Iraq, Odds and Ends, Paintings and Photography, Pakistan, Portraits, The Impotent Gods
Tags: Carcass of Beef, Francisco Goya, Genesis, mixed media, Myth Making, Pen and ink, Rembrandt Van Rijn, Wittgensteinian Color Theory
• September 5, 2010 •
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Posted in Aesthetics, Bangladesh, Detritus, Drawings, Odds and Ends, Paintings and Photography, Portraits, The Impotent Gods
Tags: Bleach Paintings, Child Soldier, Pen and Ink Drawings, Pen and ink Paintings
