• January 12, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Paintings and Photography, Pakistan, Political Development, Portraits, Refugees, The Impotent Gods, War Works
Tags: Having to do with Otto Dix, mixed media, Otto Dix, Pen and ink, Picturing the Great Wars, War
• January 12, 2011 •
Leave a Comment
Posted in Aesthetics, Afghanistan, Bangladesh, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Paintings and Photography, Pakistan, Political Development, Portraits, Refugees, War Works
Tags: Having to do with Otto Dix, mixed media, Otto Dix, Pen and ink, Picturing and Portraiture
• January 12, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Meet the Press, Myth, Paintings and Photography, Pakistan, Portraits, Refugees, The Impotent Gods, The Lovers, War Works
Tags: As I Lay Dying to I'm Already Dead, Having to do with Otto Dix, mixed media, Otto Dix, Painting and Photography, Pen and Ink Drawings, Picturing to Portraiture, The War
• January 11, 2011 •
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Posted in Aesthetics, Afghanistan, Bangladesh, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Genocide in Bangladesh, India and Kashmir, Iraq, Myth, Paintings and Photography, Pakistan, Portraits, Portraits of Dictators, Refugees, The Impotent Gods, War Works
Tags: Der Krieg, mixed media, Otto Dix, Pen and ink, Picturing the Great Wars, Picturing the War, The War Cycle
• January 11, 2011 •
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Posted in Aesthetics, Collaborations, Democracy, Detritus, Drawings, Experiments in Color, Paintings and Photography, Refugees, The Impotent Gods, The Lovers, War Works
Tags: Der Krieg, John Baldessari, John Baldessari at the Met, mixed media, Narrative Art-Making, Otto Dix, Otto Dix's The War Etchings, Pen and Ink Drawings